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7 Reasons to See The Seven Deadly Sins

This November, the Houston Symphony gives you the rare chance to experience Kurt Weill and Bertolt Brecht’s 1933 ballet chanté (“sung ballet”), The Seven Deadly Sins, live in concert. Part classical, part cabaret, with catchy tunes galore and plenty of sharp satire, it’s a remarkable fusion of popular entertainment and high art from two 20th century masters.

Read below for seven reasons why you can’t miss it, and click here to reserve your tickets!

  1. The music: A master of many styles (his Threepenny Opera yielded the pop standard “Mack the Knife”), Kurt Weill filled The Seven Deadly Sins with everything from jazz and opera to tango, waltz and foxtrot.
  2. The lyrics, by revolutionary playwright Bertolt Brecht. Weill and Brecht were frequent collaborators, and their groundbreaking creations set the stage for the Broadway musical as we know it.
  3. The plot, which follows sensible Anna I and her sultry alter ego, Anna II, on a seven year trek through seven US cities, with hopes of making enough money for her family to build a house on the banks of the Mississippi.
  4. The bigger picture: Equal parts smart, funny and thought-provoking, Brecht’s story explores the all-too-human irony that fortune often comes at a personal cost.
  5. The star: Anna I / II has become a signature role for Storm Large, the electrifying singer of Pink Martini fame–she recently performed it to rave reviews at Carnegie Hall and the Kennedy Center.
  6. The barbershop quartet (yes, barbershop quartet): Male singing group Hudson Shad takes on the role of Anna’s “family,” which provides aloof, often snarky commentary on Anna’s progress.
  7. The bottom line: Get ready for an experience unlike anything you’ve ever seen in the concert hall as this extraordinary forerunner to the modern musical comes to Jones Hall Nov. 2–4!

Don’t miss The Seven Deadly Sins November 2, 3 & 4, 2018! Get tickets and more information at houstonsymphony.org.

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Dare to Enter
Bluebeard’s Castle
The immersive concert experience of the season.

A bride enters her new husband’s home. What she finds there will change her forever.

From visuals that immerse you from the moment you walk into Jones Hall to a dream cast comprised of two of the world’s greatest opera stars—together with the sonic power of the full Houston Symphony—May 16 & 17 is your chance to see a one-of-a-kind performance of Bartók’s chilling psychological thriller. This must-see event is musical storytelling at its most powerful.

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Beethoven’s Eroica

Heroic. Ferocious. Groundbreaking.

Hear the Symphony that changed music when Andrés Orozco-Estrada conducts Beethoven’s Eroica, a staggering musical vision too powerful to be contained. A monumental weekend also features the grand unveiling of Composer-in-Residence Jimmy López’s Aurora, which combines in-hall light displays with musical luminescence to immerse you in the beauty of the Aurora Borealis.

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Music to carry you away:
Debussy’s La mer + Susan Graham

Breathe in the iridescent beauty of Debussy’s sonic portrait of the sea, led by Grammy Award-winning conductor Ludovic Morlot. Also on the program: mezzo-soprano Susan Graham performs Berlioz’ dreamy songs of love and loss, Les nuits d’ été.

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Eschenbach Conducts Bruckner

Dive into bold new worlds of color and sound in a program that pairs the romance of the past with the racing pulse of the 21st century. Here are the top three reasons not to miss this weekend’s performances:

  1. Soar through limitless sonic landscapes in Bruckner’s Symphony No. 4, music inspired by the colorful knights and castles of medieval romance.
  2. Give a warm Houston welcome to former Music Director and Bruckner master Christoph Eschenbach.
  3. Rock and roll rhythms meet staggering virtuosity in Esa Pekka Salonen’s roller coaster ride of a concerto which, in the words of the composer, “pushes the violin to its very limits.”